Conditionally Yours, Kyler Murray

For purposes of this post…let’s say after three years as a Purchasing Agent, you have just been promoted to the title of Purchasing Manager for your company. The company is a global organization consisting of many employees, and also has many suppliers providing you material as cheaply as you can possibly negotiate it for. In fact, all of your employees know deep down the financial success of your firm often comes down to just how well the Purchasing Manager and his team have negotiated costs with all of its suppliers on a regular, consistent basis.

The announcement of your promotion comes via a press release, sent not only to all your employees, but to all the suppliers as well. In it, there is also mention of a contract clause you agreed to which says as part of earning your new salary, you will commit to studying strategies of being a successful negotiator at least four hours a week outside of the company’s regular business hours. Furthermore, the addendum goes on to say you have agreed to the stipulation that your studying cannot be done while playing video games, watching television, or browsing the Internet.

Well, that would be humiliating, wouldn’t it? For you…and your company.

I present one Kyler Murray, who recently signed a five-year contract extension to continue as the quarterback of the Arizona Cardinals. The new deal is valued at $230.5 million, with about $105 million guaranteed at signing.

Kyler’s status was the talk of the NFL when he deleted all references to the Cardinals on his social media back in February after the team’s awful playoff performance against the eventual Super Bowl champion Los Angeles Rams. With Murray entering the final year of his contract, his agent insinuated the Cardinals may not be that serious about winning, and that his client would now seek a new deal giving him the stability he wanted going forward.

Meanwhile, word leaked out that Arizona might have some concerns Murray was going to be their long-term solution at quarterback, worried about his total commitment to the sport, as well as his alleged lack of leadership.

After winning the Heisman Trophy while at Oklahoma, Kyler was the #1 pick in the 2019 NFL Draft, and in his three seasons with the Cardinals was named to the Pro Bowl twice, while also improving his passer rating from season to season. However, Arizona has only made the playoffs once with Murray calling the shots…that awkward, ugly loss to the Rams last season. His body language during that game didn’t look very leader-like…and it was also reported Murray refused to go back onto the field to take the final snaps of that contest.

Several days ago, while both Murray and the team were basking in the glow of that contract extension, word leaked out regarding an almost unheard of addendum added to his contract…which I’ll paraphrase below based on media reports:

Murray will need to earn “credit” for studying film to prepare for each of the team’s games. Time in mandatory team meetings does not count, and he will study in good faith…which means he can’t be playing video games, watching television, or browsing the Internet.

It is certainly not unusual for teams to put adders in contracts dealing with weight or other tangibles, but we may have gone down a whole new road here on a clause speaking towards intangibles such as effort, attention to detail, and concentration. The clause is simply titled “Independent Study Addendum.”

Playing quarterback in the NFL is hard. There are only so many athletes who can do it really, really well. When you have invested a #1 overall pick, it’s admittedly hard for Arizona to walk away from Murray right now based on that fact alone. He’s performed fairly well in his three seasons, but the question is if he hasn’t been continuously trying to improve himself and his team…and you believe he does not have a leadership mentality…how do you let him keep the keys and drive the bus?

He could have played major league baseball if he so chose. Kyler is a tremendous athlete. I openly questioned his height (5-10) as he entered the pros but with his arm, and the ability to elude defenders and take off in any direction, I was open to the possibility he’d develop into a good if not great quarterback. Based on what I’ve seen so far, I am hopeful he can still become a star in the NFL. I’m rooting for him to succeed.

Murray turns 25 on August 7th. Looking back when I was that age, I didn’t always focus on the job at hand. No way. I was undisciplined at times. If you throw in all the entitlement Kyler has likely enjoyed throughout his high school and college experiences, I think we can see where he’d think he knows everything about life – and football – already.

He told the New York Times two years ago, “I’m not one of those guys that’s going to sit there and kill myself watching film. I don’t sit there for 24 hours and break down this team or that team and watch every game because, in my head, I see so much.”

I don’t know how the Cardinals plan to enforce this addendum to Murray’s contract, or if they’d get laughed out of court if they tried to hold back his pay. I do know this. If you are paying someone this kind of money, who because of their position is also likely the face of your franchise, you don’t do something so incredibly stupid as to put any of this in writing.

It remains to be seen if Arizona has also done something so incredibly stupid by extending Kyler Murray’s employment.

Curses on occasion can be intriguing…as long as you aren’t the cursed. Last January, before that playoff game with the Rams, the Cardinals’ Head Coach Kliff Kingsbury (who certainly is culpable in Murray’s apparent lack of maturity) made mention of the Pottsville (PA) Maroons. “I’m sure they’re very lovely people in Pottsville. I hope that they will rescind the curse very soon.”

That curse involves what fans of the Maroons claim is stolen property – the 1925 NFL Championship – which the then-Chicago Cardinals were gifted. Pottsville played an exhibition game against some Notre Dame players following the Maroons’ victory at Chicago, which was very much against the wishes of NFL Commissioner Joseph Carr. The title of NFL Champion was then stripped from Pottsville and awarded to the Cardinals.

Those Chicago Cardinals did win a more legitimate NFL title in 1947, but since then the franchise hasn’t won another. It’s been 75 years.

If Kyler Murray can pull off an NFL Championship after all of this contract nonsense, it will be unconditionally money well spent.

 

Picture Courtesy Athlon Sports

Premier League 2022-23: Soccer’s Calling

My love of soccer goes back to a time when my high school hadn’t even yet sponsored it as a varsity sport. That was likely because soccer was still in the process of trying to get any kind of foothold at all in the United States on the professional level. I wound up playing goal one season for our school’s club team, playing other schools who had yet to formally sponsor soccer squads.

In that season, I learned a pretty cool life lesson during one match when I spectacularly stopped a penalty shot…only to relax a bit, not control the rebound, and the other squad scored a goal anyway. Lesson learned – never take anything for granted and don’t celebrate too soon. Well, maybe that was two life lessons…

My interest in what the rest of Planet Earth calls football did not start more recently with the popular TV series Ted Lasso, as I suspect was the case for some Americans…although I think that’s an excellent show and anything that helps people in the States connect with soccer is great.

By the way, did you know the genesis of Ted Lasso came about when star Jason Sudeikis did a couple of sketch-length commercials for the Premier League’s broadcast coverage in the US? The basis for the series about an American football coach using his skill set to embark on a career as an English club soccer coach came about from two promos Sudeikis did. By the way, I think NBC Sports does a really fine job covering the PL. Watching matches on Saturday and Sunday mornings has become a tradition for a lot of folks in the States, with many gathering at their favorite watering holes to enjoy the action with fellow fans.

As for how the Premier League may shake out in its upcoming season, the pre-season rankings below are from analytics site FiveThirtyEight. They use a number of metrics to determine each squad’s soccer power rating (SPI), and then refines them throughout the season as results accumulate. With the kickoff of the new campaign less than two weeks away, here is how they have each of the 20 clubs ranked:

Manchester City (92.3)

Liverpool (90.5)

Chelsea (85.7)

Tottenham Hotspur (81.9)

Arsenal (78.5)

Manchester United (75.2)

Aston Villa (74.1)

Brighton & Hove Albion (73.7)

Crystal Palace (71.4)

Leicester City (71.2)

West Ham United (70.6)

Brentford (68.6)

Newcastle United (68.6)

Wolverhampton Wanderers (67.7)

Everton (63.8)

Leeds United (62.2)

Southampton (61.3)

Fulham (58.7)

Bournemouth (57.9)

Nottingham Forest (57.3)

The site ultimately feels defending champ Manchester City has a 46% probability to win the league, with Liverpool given a 30% chance and Chelsea 11%. Last season, a thrilling final day of the campaign saw Manchester City score three goals in under six minutes to snatch victory from Aston Villa and claim their fourth championship in five seasons. They finished a lone one point ahead of second-place Liverpool. Chelsea was third, Tottenham Hotspur fourth, Arsenal fifth, and Manchester United sixth.

So…in comparing last season’s results to those pre-season rankings it looks like nothing is expected to change in terms of the squads at the top. More on that in a moment. Of course, there is always the question of Premier League relegation, which is I feel one of the coolest aspects of many soccer leagues. It often presents as much drama as who all may be fighting it out for first. For those unfamiliar with relegation, the teams that finish in the bottom three positions in the Premier League standings each season leave the league and are relegated one level/tier down to what is known as the EFL Championship. The EFL Championship in turn promotes three teams up to the PL for the following campaign. Burnley, Watford, and Norwich City were the Premier League clubs sent down last season…replaced this year by Fulham, Bournemouth, and Nottingham Forest. There is always a fair amount of stress among the lesser squads each year with the potential to be relegated. Residence in the Premier League each season provides a cash windfall for its participants.

There has always been debate about whether or not dynasties are good for a sport. In the Premier League, there certainly are the haves and have-nots based on cash to spend, the quality of their facilities, historical prestige, etc. It’s no accident the same teams that finished at the top of last season are the ones favored at the top this year. Manchester City certainly is in dynasty-mode right now with those four titles in the past five seasons. Yet, I still recall the incredible run of Leicester City in the 2015-16 campaign, considered by many to be one of the greatest team sporting stories of all time. Rated at 5000-1 to win the Premier League at the beginning of that year, they did just that. Indeed, it is unlikely a club will pull of a miracle like Leicester City did that season, but it is great fun each year watching lesser squads sometimes give the big boys all they can handle in a match…potentially denying them what they thought going in would be an easy victory and three points in the standings.

What I like most about the Premier League is the passion of the fans. They are devoted to their clubs, and it is fantastic to see the joy in their faces when their squads do well. These clubs have been at it for a long time now, and the love they have for their teams has been passed down from generation to generation.

Other PL likes…I am ok with ties, which probably puts me in a very small minority. I know it may sound strange, but I honestly never had a problem with ties in either the NFL or NHL regular seasons before they moved to overtime periods. In the Premier League, where there is an acknowledged uneven amount of resources among the membership, I like the fact those have-nots have the ability to forge a tie and take away something against the favorites. I also think it is neat the PL, like many other leagues in world soccer, has no post-season. The season IS the season. A true champion, not diluted by an over-abundance of playoff teams like we allow in American sports. I find that refreshing. Each August, fans of the Premier League heed the call back to their club’s pitch knowing every match means so much.

One additional note about the Premier League for this season. There will be an unusual interruption to the schedule in November-December as players are allowed to compete for their national teams at the World Cup in Qatar. If interested, you’ll be able to find information online about how Qatar was selected to host this championship in the first place, as well as troubling reports of poor safety conditions there while construction of stadiums and facilities was going on. The positioning of this World Cup in Qatar also means not just the Premier League, but leagues around the world, have to suspend their seasons. To have the Cup played at its usual time, in the middle of the calendar year, would have been the equivalent of playing soccer on the sun. The whole planet seems to be heating up these days, but Qatar always features scorching summertime temps, so the decision was made to move the World Cup to the fall. Hopefully, all players who compete there come out of the competition in good health and ready to resume their seasons.

The most powerful, most watched soccer league in the world begins its new season on August 5th.

 

Picture Courtesy iStock

Top Guns At The Box Office

Some box office history was made today as Tom Cruise’s Top Gun: Maverick passed The Avengers to become the ninth-highest grossing movie in domestic box office history. According to Variety, movie business experts believe before this film finally lands it can fly by a couple more movies on the list, Jurassic World and Titanic.

It has been a long time since I took a look at the top domestic gross box office list, as well as any list which attempts to take inflation into account to better represent how many folks actually came out and supported movies over all the years which we’ve been blessed with cinema entertainment options.

Below are two current domestic gross box office lists which I think are fun to take a glance at…

Courtesy Of Filmsite

All-Time Domestic Gross Box Office (Unadjusted for Inflation)

  1. Star Wars VII: The Force Awakens (2015)
  2. Avengers: Endgame (2019)
  3. Spider-Man: No Way Home (2021)
  4. Avatar (2009)
  5. Black Panther (2018)
  6. Avengers: Infinity War (2018)
  7. Titanic (1997)
  8. Jurassic World (2015)
  9. Top Gun: Maverick (2022)
  10. The Avengers (2012)
  11. Star Wars VIII: The Last Jedi (2017)
  12. Incredibles 2 (2018)
  13. The Lion King (2019)
  14. The Dark Knight (2008)
  15. Rogue One: A Star Wars Story (2016)
  16. Star Wars IX: The Rise of Skywalker (2019)
  17. Beauty and the Beast (2017)
  18. Finding Dory (2016)
  19. Frozen II (2019)
  20. Star Wars I: The Phantom Menace (1999)

All-Time Domestic Gross Box Office (Adjusted for Inflation)

  1. Gone With the Wind (1939)
  2. Star Wars IV: A New Hope (1977)
  3. The Sound of Music (1965)
  4. E.T. The Extra-Terrestrial (1982)
  5. Titanic (1997)
  6. The Ten Commandments (1956)
  7. Jaws (1975)
  8. Doctor Zhivago (1965)
  9. The Exorcist (1973)
  10. Snow White and the Seven Dwarfs (1937)
  11. Star Wars VII: The Force Awakens (2015)
  12. 101 Dalmatians (1961)
  13. Star Wars V: The Empire Strikes Back (1980)
  14. Ben-Hur (1959)
  15. Avatar (2009)
  16. Avengers: Endgame (2019)
  17. Star Wars VI: Return of the Jedi (1983)
  18. Jurassic Park (1993)
  19. Star Wars I: The Phantom Menace (1999)
  20. The Lion King (1994)

I am not an analytics guy but I’m smart enough to know trying to accurately compare and compile all-time box office gets a bit tricky. Nonetheless, here’s my takeaways on both of these lists:

Avatar – Look, I’m ashamed to admit somehow I missed seeing this on the big screen, but after watching it a couple of times on the small screen…I just don’t get how this movie was this beloved. Please educate me if you feel differently. That being said, I will go see the sequel at the theatre when it opens up in mid-December.

Incredibles 2 – I was incredulous this film did that much business. Like Avatar, I didn’t get the appeal. The first Incredibles was just ok for me.

Jaws – I remember sitting in the theatre watching it on its first weekend and saying to myself…I think a few more people are going to see this. I remain impressed with where it resides all-time. When I went back to see it again a few weeks later…I remember being in an awfully long line. People love sharks…at a distance, of course.

The Star Wars Franchise – What can you say? These films have resonated with moviegoers throughout the decades. I am curious to see how future films do considering the additional Star Wars streaming content that has come out recently covering different eras. I have enjoyed the recent theatrical releases, but I don’t know if we really need any more movies. However, these lists mean they’re going to keep on making them.

Top Gun: Maverick – In addition to raking in even more money before it’s done, I don’t see any way the movie doesn’t get nominated for a Best Picture Oscar. I’m betting other folks share my view, judging by its box office success.

 

Picture Courtesy iStock

Is There Good In Evil?

I have recently been hesitant to make TV recommendations in what is supposedly our current “golden era” of television. The fact is there are so many good, quality shows out there I suspect some folks occasionally wind up feeling a bit frustrated because they know they’ll never be able to watch everything of interest. I know in my case there is a lot of sensational TV I’ll flat-out never get to, but I’m resigned to that fate.

I recently came across an article titled “Please Stop Forcing Your Favorite TV Show On Me.” It expresses a couple of theories regarding human behavior which I see merit in, behavior which presents at an early age:

Nobody wants to be told to do something.

If you tell somebody not to get involved with something, they’ll likely try to.

So, for heaven’s sake please do not watch Evil, a series which just got renewed for a fourth season on Paramount +. Currently in Season 3, new episodes of Evil drop on Sundays.

My wife and I started watching from the very first episode in September 2019 when it debuted on CBS. Thirteen episodes later, my wife wasn’t quite sure how she felt about watching it going forward. I definitely wanted to see what was next, especially when it was announced later the show was shifting from CBS over to Paramount +. The creators of the show, Robert & Michelle King (The Good Wife, The Good Fight), were now being given a much bigger canvas to paint upon. The broadcast censorship reins were taken off, and their characters could now live more realistic lives when it comes to having no subject being off limits, foul language, expressions of physical intimacy…as well as depicting more…pure…evil.

The show’s premise is simple enough. Three diverse personalities come together to form a “dream team” of sorts investigating extraordinary events. The goal – to determine if there is a rational, scientific explanation behind these events…or not. A prospective priest wrestling with his career path, a cynical psychologist juggling work while serving as both parents for her children, and a no-nonsense contractor who offers an “Earthly” reason for all he encounters.

That decision to move to a streaming service and engage with the full velocity of the Kings’ creative storytelling skill set has paid off. I am sure you’ve also heard this line from friends and relatives about their favorite TV series. “There is nothing like it on television right now.”

As far as I know, there is NOTHING like Evil on TV right now.

God vs. Satan is fought on cerebral and hand-to-hand levels alike. This show questions and challenges beliefs in religion, relationships…and reality. Twists and turns exist along the way. Some sudden shocks and jump scares, but other frights proceed at a slow burn. Yet, there are guardrails built into the scripts which ensure a balance between at least two…but often three…viewpoints and reasoning on whether events, possessions, demons, miracles, etc. have explanations that are faith-based, science-based…or somewhere “in between.”

Several critics have compared it to The X-Files series from the 90’s. I think that’s fine if you’re trying to give people familiar with that show a general idea of what is going on in this one, but I believe there are more layers to the characters in Evil…as well as more protagonists.

I don’t know if you put any stock at all in the Rotten Tomatoes site, but critics there currently have Season 1 rated at 92%, Season 2 at 95%…and Season 3 at 100%. The numbers are trending upwards, and that tracks for me.

Season 1 does start very slowly, and there is some real weirdness which will have you questioning your decision to even give it a go. If you do start watching Evil, do give it time to produce a return on your investment. Get to Season 2.

The writing, editing, score, and direction are all top-shelf. The cast is stellar: Mike Colter (The Good Wife, Luke Cage), Katja Herbers (The Leftovers, Westworld), Aasif Mandvi (The Proposal, Million Dollar Arm), Michael Emerson (Lost, Person Of Interest), Christine Lahti (Chicago Hope), Kurt Fuller (Psych), and Andrea Martin (My Big Fat Greek Wedding).

Colter, Herbers, and Mandvi come together to investigate and navigate all kinds of crazy. Within an episode you have your case-of-the-week (like…how much does a soul actually weigh?), but there are also character storylines with no quick, one-episode conclusion which continue to develop.

Emerson’s portrayal of forensic psychologist Leland Townsend is a candidate for the most vile, evil villain on any current series. Yet, this show provides its fair share of laughs…especially with a family whose well-meaning kids have a habit of all talking at the same time.

As it turns out…I am suggesting you give Evil a look. If the timing or circumstances aren’t right, write it down for future consideration. Keep it in mind. There’s an awful lot of good…in Evil.

 

Picture Courtesy Paramount +

Chaos Isn’t A Pit. Chaos Is A Ladder.

That title is a quote from the HBO series Game Of Thrones. I was reminded of it the other day when someone used it as their reply in a comments section of an article about the current health of college football.

Many fans have been lamenting the fact yet another conference realignment move is now being made. Schools have been switching allegiance from one conference to the other for years now, but the recent decision by California schools USC and UCLA to have their athletic teams participate in the Big Ten Conference has many followers feeling this is the end of college football. They claim college football is dead.

It is.

But…who knows what the sport’s landscape will eventually look like? We are talking about a viewing activity second in popularity only to the National Football League. It’s morphing into something else…what else, who knows?

When collegiate athletic conferences were first organized many moons ago they were for the most part geographical in nature, allowing for regional rivalries to be created or enhanced, as well as to reduce team travel requirements. This also allowed fans to see their teams play home and away in certain instances.

But then TV came along. And with it, the arms race of college football was spawned where television simply couldn’t get enough of college football… and many schools spared absolutely no expense to get on television.

And that’s why we can’t have nice things like traditional college football. Television.

A quote from Drew Hamm of SBNation:

“College football going away from being a fiercely regional sport will eventually kill all that is fun and different about it. The path to becoming NFL Lite is paved with gold for TV execs, the coffers of major athletic departments and the various other power brokers in college sports who do not care what they break in their quest for one more dollar.”

For me, college football certainly was more fun and different when it was regional. My high school’s athletic teams were in a conference and always had annual rivalries with nearby towns. You looked forward each year to hosting and/or visiting your opponents, knowing fans would be with you no matter where you were playing. That’s similar to the college football we all grew up with.

Now, mega-conferences like the Big Ten and the SEC generate their universities massive revenues from television rights fees. This increased exposure on TV helps schools attract athletes and students alike, as well as motivate their alumni to donate more cash. In many instances, football-generated money pays for every other sport these universities sponsor for their students. With these changes in conference allegiance as schools try to align with the best television partners they can, some traditional rivalries have remained…but stakes have been lowered…others eliminated completely. Not just in football, but in all sports.

TV executives have decreed football – all college sports for that matter – do not need ties to geography or history or tradition. When it comes to college football, schools do need to have viewership. Lots of viewers. Some college football teams don’t have as strong a following, and their university athletic departments will wind up in a pit of schools not invited to participate in the newly-configured, upper echelon of college football.

College football is dead, but only for the version a lot of us grew up with. It wasn’t a mega-business then. It is now. Money changes everything. For two California universities to switch allegiances to a conference whose members are in the Midwest and Eastern part of the US, it is a chaotic time for some fans.

From this chaos, the ladder television provides extends upwards towards even more money and exposure.

We need to see who all makes it to the top, and what may be available for those not invited to climb. Then, we can better assess the health of college football.

 

Picture Courtesy iStock

MCU Phase Four – Staying Connected

Contains Spoilers…

The Marvel Cinematic Universe (MCU) – for those who have not traversed it – is a reference to the collection of theatrical movies and streaming series featuring their comic book superhero characters. The basic template Marvel has utilized is telling distinct stories about their characters, while also interweaving those experiences into the experiences of other characters, forming a team narrative.

The discussions among Marvel fans in my little corner of the world these days are two-fold…does Marvel recognize what they need to do to keep a large, global audience fully engaged…and if they do…does that audience feel inclined to continue their investment in all things Marvel based on their recent content?

In 2018-2019, Marvel released Avengers: Infinity War and Avengers: Endgame in theatres, which served as the culmination of what they call Phase Three of their planned storytelling. Phase Four of their theatrical schedule began with the release of Black Widow last year. Since then, they’ve released Shang-Chi and the Legend of the Ten Rings, Eternals, Spider-Man: No Way Home, Doctor Strange in the Multiverse of Madness, and the recently released Thor: Love and Thunder.

In this new Phase, Marvel also has released a great deal of existing and new character storylines within their streaming series: WandaVision, The Falcon and the Winter Soldier, Loki, What If?, Hawkeye, Moon Knight, and Ms. Marvel.

I have seen all of these Marvel properties. While I enjoyed comics when I was young, I have little recollection of them now. When I watch Marvel movies or series, I don’t have that iconic comic book background to know what is canon to the comics or not…and I don’t have a clue what might come next. So to provide some context, the following is from a guy who only absorbs what the Marvel movies and series provide. I rarely know how it ties back to the source material, and I’m certainly unable to puzzle together where superhero stories may eventually crossover…and a common villain or villains might appear.

First off, it should be noted in concluding its prior Phases Marvel did an incredible job of putting together several blockbuster theatrical releases with a finite number of characters, in a limited number of films, then intersecting their stories together to forge a high-quality resolution to the overall, narrative arc. The bar was set really, really high for Phase Four.

It is understandable Marvel’s fan base might shrink a bit after Phase Three. There were casual fans who got aboard and enjoyed the comic book ride, but also concluded it was unique and could never be topped…and have just moved on. The graphic novel novelty was surely going to wear off for some.

Maybe they can bring those casual fans back at some point…depending on how Phase Four plays out.

It appears Marvel is ignoring the fact a chunk of their fan base, because of all that prior formulaic success, is now expecting new movies and series to at least partially bind characters’ stories together. They are looking for connections to other superhero storylines, pushing the overall narrative for this current group of superheroes forward…outside of whatever current story is being rolled out at the time. World-building is essential to Marvel’s success, but so is team-building.

I believe Marvel also needs to reconcile many fans don’t want to feel like they have to research articles covering source material just to try and find potential connections, or guess at a possible overall arc for when this next wave of superheroes will likely come together to fight an ultimate threat…as the Avengers did vs. Thanos in the last two Phase Three films. Marvel has fans who do not know a thing about the comics these characters came to life within, and still have no interest in searching for connections among superheroes.

Marvel has always enjoyed winking at their fans, dropping hints in mid-credit or end scenes of what might come next. They’ll release some still pictures here, tease a trailer there. That was fine when they were producing a relative handful of theatrical releases with a limited number of characters in earlier Phases, but with the velocity of content released early in Phase Four the firehose of information pouring out doesn’t contain relevant info connecting these superheroes. They underestimated the logical impatience many in their audience would have regarding wanting to see superheroes and their stories start team-building to at least some extent with each release.

Bottom line…I feel Marvel released too much too soon in Phase Four, and very little has been connected between the characters. And, I think that’s a problem Marvel has to pivot towards and get corrected.

Spider-Man: No Way Home was a huge hit with most Marvel fans (me included), but a lot of what has been released recently – movies and series alike – have met with mixed reactions (me included).

Doctor Strange in the Multiverse of Madness was madness. Poor Scarlet Witch. That girl has been to hell and back a couple of times now. What else can they do to her? Doctor Strange has been reduced to being a reckless, dangerous hack of a sorcerer. There was mention Marvel was going to be introducing more horror into their Phase Four. Indeed, I felt this script and story were horrible.

In Thor: Love and Thunder, Marvel did not understand the prior Thor film (Thor: Ragnarok) was successful first and foremost because of its uniqueness. With tons more humor and wackiness than was seen in a Marvel film before, and set for a third of the time within a bizarro, off-the-rails rainbow world with Jeff Goldblum of all people as a villain, it was never going to be replicated. Never. Yet, that’s exactly what Marvel so blatantly, obviously tried with Love and Thunder. They got crazy lazy, and for a character that didn’t even need another solo chapter, this movie for me landed with a thud similar to Thor’s hammer. If you pushed me for a compliment, I will say that even though this journey was God-awful throughout the ending was…acceptable.

It’s my belief these last two theatrical releases have been below the quality Marvel has given us in the past – especially with the characters of Thor and Doctor Strange – and these films barely moved the needle towards where we may be headed with the rest of Phase Four.

Love and Thunder has made over $300 million worldwide. Multiverse of Madness is closing in on a global total approaching $1 billion. Cracks in Marvel’s superiority at the box office certainly haven’t appeared in ticket sales. Audience surveys and critic reviews are where some fault lines have started to develop.

I believe Marvel needs to reconcile themselves to the fact if they want to have a chance of maintaining the lofty heights of their superhero success, their theatrical and streaming products going forward must feature more guest appearances…more hints…more clues…as to how all these current superheroes will come together to save the universe.

I’m not asking them to not surprise me…and I don’t need for everything to be spelled out completely. I’m just looking for Marvel to provide superhero storylines that start to relate in at least a partial way to each other…for these characters to start moving towards each other…building a new team…towards what hopefully will be another fan-tastic finish.

I want to stay connected with Marvel’s Phase Four. I’m just asking them to start making more connections.

 

Picture Courtesy Marvel Studios

ClickClickKnow

So there I was last night, re-watching the opening episode from the fourth season of the HBO series Westworld just before the second episode of this new season was to debut, and…

(We interrupt this post to advise readers in order to get the point of this post you do not…repeat do not…have to know anything about Westworld. If you don’t know what’s going on with Westworld that’s just fine, because none of us who have watched it from the very beginning know what the hell is going on either.)

…at the end of this re-watch episode I was reminded of a beautiful piece of instrumental music playing towards its conclusion. I had initially figured it was original music recorded for the show and probably not available just yet. However, I really liked it and was determined I should try to research its origin on the chance I could get a copy somewhere. I know there are websites which list background music used on movies and shows…but that info isn’t always made available immediately and I wanted to know now.

I searched #westworld on Twitter from the week prior when the episode first aired…and what-do-ya-know…a Twitter user had in fact tweeted out last week how cool it was Westworld used an instrumental from Lana Del Rey’s song, “Video Games.”

So, then I was off to iTunes to confirm that was in fact the same piece. Yep, it was. Then, over to Wikipedia to see what if any entries were there…and what-do-ya-know…it had a new entry stating an orchestral cover of “Video Games” was played at the end of the Westworld episode, composed by Ramin Djawadi. I was familiar with him, as he is known for a slew of famous movie and television scores including Iron Man, Game Of Thrones…and Westworld. I was also familiar with Lana Del Rey, but was way less knowledgeable of her work. I wound up listening to a number of her songs and was impressed. She could be an artist I’ll be doing more “in-depth” research on.

And…it is in moments like this where I find myself giving silent thanks I’m living in a world with such instant access to information…as well as all the various communication platforms we have at our disposal.

I was not only born pre-Internet, but pre-Fax machine (Google “fax machine” if necessary…). It is truly mind-boggling to think back occasionally to how very little we had in all our information and communication toolkits then, and how recent technology advancements have propelled us to where we are now.

The super-basic takeaway from my research to find what that music was all about…was simply how very little research was needed.

Westworld?

I don’t think any amount of research will ever determine what it’s all about.

 

Picture Courtesy HBO

All Hands On Deck

 

Ah, it is indeed an age of sequels and reboots, isn’t it? Some are good ideas to revisit. Some…not so good. There are occasions when doing something really, really well the first time around should probably be the last time around.

In my college basketball news feed this AM:

“Gonzaga and Michigan State are now finalizing plans to play a neutral site game on an aircraft carrier in San Diego on Veterans Day.”

Back on Veterans Day 2011, a college basketball game was played aboard the USS Carl Vinson in San Diego between Michigan State and North Carolina. Carolina won 67-55 in front of over 8,000 fans and military personnel, including President Obama. Seeing two national basketball powers play in such a majestic, inspiring setting was very cool. A second court was set up in the hangar bay just in case, but the weather held up its end. Temperatures were in the 60’s and there were calm winds. This game was absolute television eye candy, although it was not great hoops…the teams managed to miss 77 of their combined 123 shots.

It turned out to be the highest-rated November college basketball game on ESPN in 19 years.

College basketball’s next season featured four games on the national television schedule from carrier settings as part of Veterans Day ceremonies. One woman’s game was slated between Ohio State and Notre Dame, with the men’s games to be Ohio State-Marquette, Georgetown-Florida and Syracuse-San Diego State.

The sequels that Veterans Day weekend did not quite live up to the original…

Ohio State-Notre Dame: On the USS Yorktown in Charleston, temperatures were still in the 50’s when the women began their game…but the temperature dropped as soon as the sun did. It was a poorly played game, with both teams combining to miss 71 of 109 shots from the floor. Notre Dame won 57-51.

Ohio State-Marquette: The second game of a scheduled doubleheader aboard the now-chilly Yorktown, it found the teams’ warm-up time occupied by coaches and players staying warm working towels and squeegees to try to get condensation off the court. The game never took flight and was canceled.

Georgetown-Florida: On the USS Bataan in Jacksonville, a badly-played first half concluded with Florida up 27-23. However, similar to the situation in Charleston, condensation got to the court. During halftime, the game was canceled.

Syracuse-San Diego State: On the USS Midway in San Diego, a threat of rain pushed the game out two days. Played during the day (instead of at night as originally scheduled), there was no rain…but it was very windy. It was also a poorly played game, with both teams combining to miss 77 out of 119 shots. Syracuse won 62-49.

Playing basketball outdoors – on an aircraft carrier – is not like playing basketball indoors in an arena. Weather takes center stage away from the players. You are trading great optics for great basketball.

And, you are also compromising player safety.

No amount of television appearance money is worth that.

Back in late February of this past college basketball season, Xavier and Providence played a thrilling, triple-overtime game. Yet, with just under three minutes left in regulation, those in charge were talking about the possibility of having to gather up the players and coaches and bus them to Providence’s practice facility to finish the game due to a leak in the Dunkin’ Donuts Center ceiling.

You can’t play basketball on water. It might be fair to ask athletes to take aim with no background behind the basket, to shoot into the wind, and to even play with a sweatshirt underneath the jersey…but it absolutely isn’t fair to ask athletes to play when there is even the slightest chance of the court not being pristine.

Since that debacle of a weekend, television and college administrators have been successfully staging Veterans Day games – indoors – from various military facilities. They’ve done a great job with them and as you might expect, the quality of play was improved.

I think people should think long and hard about pursuing sequels, especially if the original is so perfect.

I also happen to think people should learn from their mistakes.

 

Picture Courtesy US Navy/Roza Arzola