Scream A Little Scream Of Me

It is one of those moments that mark the unofficial start of Fall around these parts. Their brochures arrive like clockwork this time of year in all of the convenience stores. Yes, the Field of Screams in Mountville PA has once again begun their latest chapter in terrorizing young and old alike nightly through the middle of November. It is located about forty miles from where I live, but I have never gotten around to visiting it. This year, I am more intrigued than ever to go spend an evening there.

There are actually four main, separate haunted attractions involved at the Field of Screams which require separate admissions, but the cost structure is designed for attendees to secure a “Scream Pass” which gains you entry to each one.

Here are excerpts from their brochure with some immediate thoughts I have:

NOCTURNAL WASTELAND “As you walk along the narrow, winding paths through the dense overgrown vegetation, you will come face-to-face with the mutant creatures of this fear-filled forest. New for 2022 – You will be forced to make your way through the Deadwood Cemetery and encounter the Tree of Death!”

It sounds like trying to make your way through a very trying jungle. I have never done that, but I suppose it is something like those Black Friday sales I used to go to. I’ve certainly been to cemeteries before, but never at night. Their “Tree of Death” has me wondering how the hell they got ahold of the cherry tree we used to have in the front yard?

HAUNTED HAYRIDE “There is no turning back as the tractor-pulled wagons take you on a horrifying hayride into the depths of our dark and sinister cornfield. Feel the cold night air send shivers down your spine as you are attacked from all angles by the maniacal creatures who call this cornfield home.”

I remember when I was a little kid who hadn’t quite taken possession of common sense yet, a bunch of us hid out in a cornfield the night before Halloween and tossed handfuls of corn at passing cars. Mind you, this was a suburban back street where the top speed was approximately 2 mph, so it wasn’t as heinous as it initially sounds. However, during this Mischief Night adventure when the kernels hit one car, the driver hit the brakes and opened their car door. My friend Mikey may still be running.

Also, if I am ever attacked by creatures from all angles my current spine isn’t going to just be feeling the cold night air. That will be nerve damage.

DEN OF DARKNESS “Three stories of sheer terror await as you creep through the dismal passageways and maddening mazes of this 170-year-old original barn. New for 2022 – You will explore the Gory Greenhouse, the Putrid Pantry, and the Rotting Flesh Kitchen.”

I’m thinking if the barn is 170 years old…yes, that would be an original. Three floors? I’m not so much worried about passageways and mazes as much as whether or not the structure will support visitors. I’ll probably be ok with the “Gory Greenhouse” since we had no rain for two months this summer and our gardens provided their fair share of frightening scenes. As for that “Putrid Pantry” and “Rotting Flesh Kitchen,” they sound like dead ringers for when myself and three other guys rented a house for the summer.

FRIGHTMARE ASYLUM “Become a part of the bone-chilling madness as you explore four floors of the demented and the deranged! Feel the fear as you meet the disturbed doctors and nightmarish nurses who have taken up residence here! New for 2022 – You will get to meet the posse of Psycho Clowns as they unleash their vengeance on you.”

Four floors? (please see above “Den of Darkness” concerns about stability) As for their “Psycho Clowns,” that may very well be the most redundant title I’ve ever seen. EVERY clown is a psycho.

So, while pondering the main attractions offered, I noticed one additional section in the bottom right corner of the brochure…

EXTREME BLACKOUT – ONE NIGHT ONLY – NOVEMBER 11TH – LAST NIGHT OF THE SEASON “All four attractions will be darker, more intense, and hands-on! You will be subjected to new methods of torture, physical restraint, and isolation that are not a part of our regular season show. Extreme scare tactics and fear-inducing techniques will be incorporated as part of your Extreme Blackout experience. Not all will survive. Release waivers must be signed in order to participate!”

OK, this does NOT sound OK. Is it really breaking news you have to sign a waiver to participate in this?

I did take note in the fine print there is also a VIP Upgrade available at an additional cost. I can only assume that’s for life insurance.

My wife is not into the horror performance art thing at all. She told me when we first met that in the autumns of her youth, her youth group would always manage each year to find their way to haunted hayrides and houses. She reminded me when I mentioned possibly going here this year she has been sufficiently traumatized for life, thank you.

Me, I’m thinking this could be a bucket list event. I never did anything like this when I was younger and if not now, when? I love a well-done horror movie – providing really good scares – as much as the next guy. But, do I really want to immerse myself in an experience like this?

The “Extreme Blackout” sounds like quite the near-Death experience, but since I’m on the backside of life I probably don’t need to edge any closer to Death, so that’s a hard pass.

It does sound like I could pull off the main attractions…but I do have a concern about the close-proximity performers who might jump out and grab at me while my senses are in a heightened, frightened state. I am legitimately concerned I might instinctively knock them out…then you’ve got real blood mixing with the fake…getting lawyers involved, etc. I think I’d have to recruit at least one other person to accompany me, if for nothing else than to serve as a potential witness for police reports.

If you’ve ever been to something like this, I am curious to know what your experience was. If not, would you dare go there for scares?

 

Picture Courtesy Haunted Pennsylvania

 

Is There Good In Evil?

I have recently been hesitant to make TV recommendations in what is supposedly our current “golden era” of television. The fact is there are so many good, quality shows out there I suspect some folks occasionally wind up feeling a bit frustrated because they know they’ll never be able to watch everything of interest. I know in my case there is a lot of sensational TV I’ll flat-out never get to, but I’m resigned to that fate.

I recently came across an article titled “Please Stop Forcing Your Favorite TV Show On Me.” It expresses a couple of theories regarding human behavior which I see merit in, behavior which presents at an early age:

Nobody wants to be told to do something.

If you tell somebody not to get involved with something, they’ll likely try to.

So, for heaven’s sake please do not watch Evil, a series which just got renewed for a fourth season on Paramount +. Currently in Season 3, new episodes of Evil drop on Sundays.

My wife and I started watching from the very first episode in September 2019 when it debuted on CBS. Thirteen episodes later, my wife wasn’t quite sure how she felt about watching it going forward. I definitely wanted to see what was next, especially when it was announced later the show was shifting from CBS over to Paramount +. The creators of the show, Robert & Michelle King (The Good Wife, The Good Fight), were now being given a much bigger canvas to paint upon. The broadcast censorship reins were taken off, and their characters could now live more realistic lives when it comes to having no subject being off limits, foul language, expressions of physical intimacy…as well as depicting more…pure…evil.

The show’s premise is simple enough. Three diverse personalities come together to form a “dream team” of sorts investigating extraordinary events. The goal – to determine if there is a rational, scientific explanation behind these events…or not. A prospective priest wrestling with his career path, a cynical psychologist juggling work while serving as both parents for her children, and a no-nonsense contractor who offers an “Earthly” reason for all he encounters.

That decision to move to a streaming service and engage with the full velocity of the Kings’ creative storytelling skill set has paid off. I am sure you’ve also heard this line from friends and relatives about their favorite TV series. “There is nothing like it on television right now.”

As far as I know, there is NOTHING like Evil on TV right now.

God vs. Satan is fought on cerebral and hand-to-hand levels alike. This show questions and challenges beliefs in religion, relationships…and reality. Twists and turns exist along the way. Some sudden shocks and jump scares, but other frights proceed at a slow burn. Yet, there are guardrails built into the scripts which ensure a balance between at least two…but often three…viewpoints and reasoning on whether events, possessions, demons, miracles, etc. have explanations that are faith-based, science-based…or somewhere “in between.”

Several critics have compared it to The X-Files series from the 90’s. I think that’s fine if you’re trying to give people familiar with that show a general idea of what is going on in this one, but I believe there are more layers to the characters in Evil…as well as more protagonists.

I don’t know if you put any stock at all in the Rotten Tomatoes site, but critics there currently have Season 1 rated at 92%, Season 2 at 95%…and Season 3 at 100%. The numbers are trending upwards, and that tracks for me.

Season 1 does start very slowly, and there is some real weirdness which will have you questioning your decision to even give it a go. If you do start watching Evil, do give it time to produce a return on your investment. Get to Season 2.

The writing, editing, score, and direction are all top-shelf. The cast is stellar: Mike Colter (The Good Wife, Luke Cage), Katja Herbers (The Leftovers, Westworld), Aasif Mandvi (The Proposal, Million Dollar Arm), Michael Emerson (Lost, Person Of Interest), Christine Lahti (Chicago Hope), Kurt Fuller (Psych), and Andrea Martin (My Big Fat Greek Wedding).

Colter, Herbers, and Mandvi come together to investigate and navigate all kinds of crazy. Within an episode you have your case-of-the-week (like…how much does a soul actually weigh?), but there are also character storylines with no quick, one-episode conclusion which continue to develop.

Emerson’s portrayal of forensic psychologist Leland Townsend is a candidate for the most vile, evil villain on any current series. Yet, this show provides its fair share of laughs…especially with a family whose well-meaning kids have a habit of all talking at the same time.

As it turns out…I am suggesting you give Evil a look. If the timing or circumstances aren’t right, write it down for future consideration. Keep it in mind. There’s an awful lot of good…in Evil.

 

Picture Courtesy Paramount +

ClickClickKnow

So there I was last night, re-watching the opening episode from the fourth season of the HBO series Westworld just before the second episode of this new season was to debut, and…

(We interrupt this post to advise readers in order to get the point of this post you do not…repeat do not…have to know anything about Westworld. If you don’t know what’s going on with Westworld that’s just fine, because none of us who have watched it from the very beginning know what the hell is going on either.)

…at the end of this re-watch episode I was reminded of a beautiful piece of instrumental music playing towards its conclusion. I had initially figured it was original music recorded for the show and probably not available just yet. However, I really liked it and was determined I should try to research its origin on the chance I could get a copy somewhere. I know there are websites which list background music used on movies and shows…but that info isn’t always made available immediately and I wanted to know now.

I searched #westworld on Twitter from the week prior when the episode first aired…and what-do-ya-know…a Twitter user had in fact tweeted out last week how cool it was Westworld used an instrumental from Lana Del Rey’s song, “Video Games.”

So, then I was off to iTunes to confirm that was in fact the same piece. Yep, it was. Then, over to Wikipedia to see what if any entries were there…and what-do-ya-know…it had a new entry stating an orchestral cover of “Video Games” was played at the end of the Westworld episode, composed by Ramin Djawadi. I was familiar with him, as he is known for a slew of famous movie and television scores including Iron Man, Game Of Thrones…and Westworld. I was also familiar with Lana Del Rey, but was way less knowledgeable of her work. I wound up listening to a number of her songs and was impressed. She could be an artist I’ll be doing more “in-depth” research on.

And…it is in moments like this where I find myself giving silent thanks I’m living in a world with such instant access to information…as well as all the various communication platforms we have at our disposal.

I was not only born pre-Internet, but pre-Fax machine (Google “fax machine” if necessary…). It is truly mind-boggling to think back occasionally to how very little we had in all our information and communication toolkits then, and how recent technology advancements have propelled us to where we are now.

The super-basic takeaway from my research to find what that music was all about…was simply how very little research was needed.

Westworld?

I don’t think any amount of research will ever determine what it’s all about.

 

Picture Courtesy HBO